ALL the photos??

some people wonder why they dont get “EVERY” photo back from a photoshoot. the reason is every photo snapped is not the bes photo.  believe or not i’m not perfect.(I know right? shocking)and , especially on location shoots, I can easily spend 20-50  shots attempting to find ONE good image.  sometimes that doesnt happen, the pose is off, the idea i had isnt working, lighting isnt good, background isnt interesting or is too distracting, camera missed focus, or a myriad of other issues can make photos look like crap. sometimes photos look just fine..but are not TOP notch. and as a point of keeeping my reputation, i will only ever provide the BEST of my work. I limit myself to 10 images. this forces me to take fewer but more purposeful shots, it also forces me me to have a keen eye and and very selective about what i chose to edit out of the mix so i dont waste time on subpar images. when i was a noobie i would send back   30 -40 and in some cases up to 60 photos, some of those were mediocre or just not good. i usualy regretted it after the model or client shows them pubicily.  othertimes I  might find 4 or 5 of very smiilar images that could have easily been dwindled down to 1 or 2 solid examples of that particular pose/concept. There is also the issue of time. Editing takes time and doing more than 10 with out being compensated monetarily cuts into time that coudl be spent earnign money to  bills, eat, survive and all that good stuff.

But basiclay if you are the subject in a photoshoor whether a payign client or a model, you are not entiitled to ANY of the photos just because you are in them.  You are entitled to what you agreed to  prior to shooting/paying.  the agreement you make when you shoot with the photoggrapher should stipulate what you get back in return, and that and only that is what you are entitled to.  in my case you are entitled to no less than 10 photos from a shoot. 10..TOP notch photos. if you you shot with me and  havent received all 10…i still owe you. if you received more than 10…youre fortunate ..i will do that from time to time as somtiems its too hard to elminate good photos. In the future clients will have the option to pay for additional photos. Proofs will be provided so you can choose the first 10 once this is implimented.

lastly., to the photographers out there ( typiclay amateur) that say that they provide every photos and do not “withhold” images.   um…selecting the very best of the best photos to edit and provide back is what you are supposed to do as a photographer.  you are chosen and hopefully paid for your eye, and your creative vision and your ablity to know what looks good and what doesnt. no one is paying to see blurry out of focus unflattering or unintereting photos. unless you are saying you are so pefect that every shot you take is golden. then i guess i am in awe of your photographic abilities.  but seriously, get off your high horses.

Collaboration versus Working?

I’ve seen this come up before in discussions. What’s the difference between Collaborating and simply working together or for someone? some people feel collaborating means that both people have equal rights to the final product. Others think it means both parties get to call the shots on what happens on a shoot. Some photographers don’t like this because it takes away creative control and/or gives a model sense of entitlement. Some models don’t like the term collaborate because they think it means they are being paid for their modeling services.
My view of collaboration gives proper credit to both parties for their participation. I can not create whatever it is I am creating the model’s help… it’s me acknowledging the value they bring to my project. Whether I am paying or they are paying me to bring their vision to life…if we are providing anything of value to the project it is a collaboration. so for me, Collaboration should be used always or else there no value in the project.
I love to collaborate.. when I work on a project, even when its entirely my idea and I have the final say in how things look and turn out, I still value input from the model. I still want them to bring their uniqueness, talent, personality and style to it otherwise there’s no point in choosing different models. I may have a particular fashion look that I go for in all my work but always try to work that into whatever the model’s natural style and sensibility.
As far as who has rights.. Well, that depends on the project and what terms are set. The law is clear in the U.S> the photographer always owns the copyright to final image regardless of who’s idea it was and whether or not it was a paid or trade shoot. Photographers are able to give up some or all of this right if they so choose; according to the terms set by the photographer. (note that A model by default is considered work for hire, whereas photographers, artists, and musicians are NOT unless a signed contract specifically states it. the collaborative work must also meet certain requirements that i won’t go into here. work-for-hire means that even though you provided artistic services your contribution is to the final product, your work does not belong to you. it instead belongs producer/company or client that contracted you. you see this type of thing come up in films, and books, and comics where writers and artists, composers, and other talented folks provide artistic services…without a contract these artists are not working for hire and these final works sometimes don’t see the light of day due to copyright issues. Models, however, since they cannot copyright their likeness or performance do not fall under this. so any copyrights must be signed over from the photographer or client.
So who calls the shots? Either, both, or none again depending on the terms.
If it’s for a Client. they call the shots.
If its TFP ..both photog or model may call the shots, for example, if the photographer agrees to shoot specific things for the model while the model does specific shots for the photog. Other times a model or photog my agree to the concept and shots of the others because it benefits their portfolio.
Any TFP shoot should be negotiated before the shoot takes place. But, typically in my experience, the model is more than willing to let me the artist call all if not most of the shots because they trust my vision, and talent to produce work that they’re happy with. I’m also more than willing to let models tell me what they want out of the shoot to make it more worth their while. and sometimes I am surprised and inspired more by the input received and we get better shots than if this didn’t happen. This is why I call it collaboration.
I do not go into any photo shoot or project without being personally invested in it. So, if I don’t feel that I will get enough out of a project to make it worth my time, then don’t do it. I encourage all my models to take the same approach to all of their shoots. paid, TFP or otherwise.

In full swing!

Looks like I finished the website just in time. I’ve been super busy this spring with photo and video shoots.  Here are a few images from those…photo galleries to be updated soon!!


After a year of hard work. the newly revamped site is finally live.   I’ve been on hiatus from fulltime photography while I’ve been working behind the scenes. now I’m ready to get back in the swing of things.  new year, new website, new models, new projects!  Cant wait to get busy!!

Lissa Sitting in the car with her feet up.

the latest Edit from a shoot last summer. It rained the entire time but we made the best of it….car’s make good rain cover. 😉

Website Complete-sorta

except for fixing some wordage and typos….   Site is open to the public so that users of the old address will no longer be redirected.   Please use if you are looking to buy videos.